A Conversation with Google A dialogue between a visual artist and the internet With the advent of digitised technology, computers and the internet are changing our sense of world, place, space and experience. Many of us spend more and more time translating our thoughts and emotions into 0's and 1's, becoming one with the 'machine' and in effect, turning into cyborgs*. * Cyborg: a compound word derived from cybernetics and organism, is a term coined by Manfred Clynes in 1960 to describe the need for mankind to artificially enhance biological functions in order to survive in the hostile environment of Space. Originally, a cyborg referred to a human being with bodily functions aided or controlled by technological devices, such as an oxygen tank, artificial heart valve or insulin pump. Over the years, the term has acquired a more general meaning, describing the dependence of human beings on technology. In this sense, cyborg can be used to characterise anyone who relies on a computer to complete their daily work. (http://whatis.techtarget.com/) Inspiration In a web article entitled Cyberfeminism with a Difference, Rosi Braidotti discusses how, through technology, we exist in more than one place and time through duplication, publication and transmission. Referred to as the 'tyranny of gaze', the triumph of vision discriminates against touch and sound and reinstates the hierarchy of bodily perception. Infotechnology brings about passionate detachment and desensitises our sense of ethics, spirituality and individuality. (http://www.let.uu.nl/womens—studies/rosi/byberfem.htm/) Jenny Holzer is an artist who uses the medium of word and technology to address public opinion through what she calls 'agitprop' (agitation propaganda). She stimulates debate and contemplation in order to bring about a paradigm shift, transmitting her capitalised words through any medium technology has on offer, including the internet. One of her famous works exclaims: 'PROTECT ME FROM WHAT I WANT'. (Grosenick 2001:234) Linda Dement is a cyberfeminist and digital artist. In her CD-Rom interactive work, Cyberflesh Monster, she recombines fleshy representations of the female body recorded with a scanner at a lesbian bar. "I believe there is great value, knowledge and beauty in the darker side of life; in madness, wounds, emotions, memories, scars and pain. ... The imagery that comes up for me is full of difficulty: conflict, blood and guts." (available at http://www.lindadement.com) Conceptual framework Talk to Me The question posed was simple: what would happen if I were to engage in a 'dialogue' with the internet? As an individual I come with a framework of world experience. I act as filter of the stimuli and information received from my environment. This act of processing, through choice, decision and reaction, continuously moulds my sense of self and my subsequent attitude towards my environment. Identify 'I' : born foreign, grew up in South Africa, female, lesbian, women, white, pro co-operation, anti-hierarchy, existential. Based on this sense of self, I selected specific words to act as question: anger, crazy, anxious, depressed, desperate, existential, exuberant, eyes, feminist, frustrated, happy, hope, hungry, judgmental, nothing, sensual and sympathy. Using Google.com as mediator, I instructed the search engine to collect off the internet any image it had access to that made reference to these words. The images were harvested regardless of their content (Google's filter) and re-contextualised (my filter) into an interactive art work. The result is a dialogue between artist and internet. Xplor Talk to Me proved to be an interesting experiment, but quite depressing to execute. In Xplor I decided to take charge, rather than be left at the mercy of Google. I altered my thinking in that Google now became the access point to my palette (images), and the applications my brush (image manipulation). Still playing the word-image game, I explored the notion of space. 'Drive', 'Jump', 'Mind/Soul/Body/Spirit' are three explorations which represent random and accidental journeys. This time words were specifically selected in order to 'paint' a narrative. Only those images which appealed to my purpose were harvested. katty vandenberghe, 09/11/03, pretoria, south africa |